SALISBURY – Over the past few weeks, Camp Isola Bella on East Twin Lake was alive with the sounds of saws buzzing, hammers pounding and the drone of massive cement trucks. However, for the 16 volunteers working on the island from sunrise to sunset, there was only silence.
The historic camp property, owned by the American School for the Deaf since 1963, has undergone a $700,000 expansion and renovation, and the alumni who toiled from sunrise to sunset on the last leg of the construction project were all former campers, including ASD’s executive director, Jeffrey Bravin.
Bravin, who is in his ninth year as the school’s administrator, and 20 years with ASD, used sign language as his interpreter, Marie Langill, spoke. He explained that the long-overdue expansion will allow the West Hartford-based school to welcome an additional 75 campers to Isola Bella every summer, a 63% increase.
“We had talked about it for years, and now is the time,” he said during a late afternoon visit on May 26 during which he took a break from painting the exterior of a newly built cabin to reflect on the camp’s increased demand and long waitlist, its link to the community and the Twin Lakes Association, and the lush island’s long and storied history.
The goal of the alumni, he said, was to have the property ready for 125 youngsters, ages 8 through 17, who will converge on the island in three groups beginning June 25, the opening day of the five-week camp season.
The 125 campers will not be all converging on the island on opening day. Three groups totaling 125, are expected during the 2022 camp season.
“They work sunrise to sunset,” noted Bravin, pointing to his work crew as the skies darkened overhead and a brisk breeze blew off the lake. “They are up at 6:30 a.m., eat breakfast, are out the door by 7, and I never know when they are going to finish. They are just so committed.”
The executive director also ditched his shirt and tie for the occasion. “As you can see, I’ve been painting,” he said a broad smile and pointing to his paint-spattered jeans and sweatshirt. “Hopefully we will be done by next week. Fingers crossed on that.”
The expansion/renovation includes construction of two handicap-accessible cabins, the renovation of two existing bathrooms to include handicap shower and toilet facilities and ramp access, renovation of the old bunk houses, enclosure of a covered patio to increase dining space and replacement of the camp’s pavilion roof.
The project also allowed for a multi-use sports court —the concrete was poured the prior day—and a major electrical and Wi-Fi upgrade.
One of only six camps of its kind in the U.S.
ASD is the only school for the deaf in Connecticut and is the oldest school of its kind in the United States. ASD operates one of only six summer camps in the nation that serves deaf and hard-of-hearing children, children of deaf adults or siblings and, as of two years ago, those on the autism spectrum
Campers come from all over the U.S and on average, nearly 70% of them return for more than one season. Reunions and other events draw campers back year after year, according to ASD.
In addition to the 29-acre island, the school also owns a large field on the mainland, which brings the school’s total land ownership to 52 acres, Bravin said. “We call it Primos. That was the name of the caretaker for the Alvord family” who were among the island’s succession of owners.
Twin Lakes Association came to the rescue
Bravin said the school has been working collaboratively with the Twin Lakes Association (TLA) for nearly a decade. “They have been so supportive and it’s such a wonderful community. They worked with the school in 2013 to renovate the stone tower,” a project with a price tag of $200,000. “They paid half and we paid half,” he said.
“So when this project started, I spoke with them again and asked if they would help support it, and they came up with a very quick ‘yes,’” said Bravin, adding that the Twin Lakes Association “raised a lot of money for us.”
Extra donations also allowed for the construction of a large outdoor sports court featuring two basketball courts and volleyball and pickleball courts, he explained, and state funding covered the cost of several handicap-access ramps.
Bravin credited the association’s president, Grant Bogle, for his “unbelievable support. He’s committed not only to the lake community, but also to Camp Isola Bella.”
Bogle, he explained, serves as a trustee on the ASD Board of Directors, and “and I serve on the Twin Lakes board.”
Bogle, who owns lakefront property on East Twin Lake, said the camp is “truly a treasure” not only from a nature and historical perspective, but also in way it has enriched the lives of countless young adults over the past half-century.
“We raised funds locally which were combined with funds raised from alumni and other sources in Hartford and a state grant,” said the TLA president.
A typical day at the camp
Camp Isola Bella offers the same physical activities as any other summer camp. The difference is that on this appropriately named “beautiful island,” youngsters get to be with their peers. The camp, said Bravin, also plays an important role in a child’s social development, all executed with the needs of deaf students in mind.
“Obviously we want the campers to have fun, but at the same time, most deaf and hard-of-hearing children, about 90 percent, come families that can hear, so communication is a challenge for these children.” He also noted that many hail from urban areas. “We want them to continue to learn and experience nature.”
Activities such as experiential learning, teamwork, communication and cooperation, and literacy initiatives are integrated into daily programming. Classes in boating, archery, arts and crafts and camp studies define a typical day at the camp. In the afternoons, campers also spend time focusing on team building, self-esteem, cooperative games and problem-solving skills.
They also enjoy nature activities, swimming, hiking, snorkeling, kayaking, canoeing, tubing and sailing as well as cooperative and non-competitive games.
One of first campers
returned to help
Using sign language, Wesley Miller explained that he is a 1970 graduate of ASD and was among the first campers to set foot on Isola Bella when it opened in 1964. He returned in 1965. “I look back at the time I spent here, and I want the kids of today to experience what I did,” said Miller, noting the reason he volunteered.
Bravin explained that Miller is a former construction company owner. “So, when I started this project, I felt he would be a great leader. I call him our foreman. He heads our team here.”
Nearby, Alexandra MaGee, who attended camp in 1971 and 1972 and is the former president of the ASD Alumni Association, explained that Isola Bella is more than a camp experience, it part of her being. “ASD and Isola Bella live in my heart,” she signed.
Mark Drake of Drake & Sons in Granby is the general contractor for the Isola Bella renovation project.
“I was surprised when I was told I was getting 16 volunteers. I had no idea what I was getting into,” he said. “Then all of a sudden I got an established work crew. They are so dedicated to the school and the camp. They are a Godsend.”
Photo by Debra A. Aleksinas
Photo by Debra A. Aleksinas
Photo by Debra A. Aleksinas
Photo by Debra A. Aleksinas
Photo by Debra A. Aleksinas
Author Anne Lamott
“I feel like I’m in my living room talking with my closest friends,” Lamott said.
In her 20th book, “Somehow: Thoughts on Love,” she goes back in time, writing about her own personal life experiences in a candid way, about her family, recovery and her faith. Lamott relates coming face to face with intense emotions and multiple epiphanies and lessons she’s learned.
The book explores the transformative power that love has in our lives: how it surprises us, forces us to confront uncomfortable truths, reminds us of our humanity, and guides us forward.
“Love just won’t be pinned down,” she says. “It is in our very atmosphere and lies at the heart of who we are."
“We are creatures of love,” she writes on her website describing the premise of the book.
Lamott is a progressive writer. She married for the first time at the age of 65, and has been sober for 37 years. She shares a life with her husband, Neal Allen, who is also a writer, her son Sam Lamott, and her grandson. Her family makes up the main characters throughout the book, reminiscing on escapades together.
“To have a heavy-hitting writer here is just wonderful, I have been following her since San Francisco, and when I heard she was in Poughkeepsie I bought tickets right away,” said Lamott fan Suzanne Sagan.
The Bardavon audience was filled with women from the ages of 34-70, some were able to convince their husbands to tag along and listen to the conversation. All attentive to her, laughing at the jokes and even attempting to sing her happy birthday.
Conversation topics ranged from the themes in her book, to sobriety, to telling stories about being a mother.
Learning about how to help yourself first, if you want to feel the love you have to spread the love, aging, relationships, having your cup filled full with your own water, and learning from your mistakes.
“That’s what life is like, slipping on a cosmic banana,” Lamott declared.
“As with all of her deceivingly simply rendered pieces, Lamott’s foibles are central to the 12 stories told here. Reconciling her own flaws as the key to tolerance is implied. Falling short is a given, especially when seeking to understand folks whose views are different from hers, particularly when they’re on the political spectrum. But demonstrating love to those who cause harm just might be too much of a reach for her — that stuff is for saints; it’s next-level wellness. Yet, Lamott strives,” Denise Sullivan writes for Datebook, a San Francisco Arts and Entertainment Guide.
Lamott was able to quote well known names such as Susan B. Anthony, Carrie Fisher, and Mother Theresa. During the conversation, she often turned to quotes that helped her create the mindset she has today, and spreads to the audience.
The talk was presented by Oblong Books in partnership with Bardavon Presents.
Penguin Random House
Alexandra Peter's collection of historic samplers includes items from the family of "The House of the Seven Gables" author Nathaniel Hawthorne.
It’s not that Peters has delusions of grandeur, with those small black or white cards a part of the fantasy. In the past few years, her samplers have gone on outings to historical societies and exhibits. Those small black cards are souvenirs.
About 27 of the pieces from Peters’ collection have just left home again, and are featured at the Litchfield History Museum of the Litchfield Historical Society in an exhibit that Peters guest curated along with the historical society’s curator of collections, Alex Dubois.
A needlework example.Cynthia Hochswender
The exhibit is called “With Their Busy Needles,” and it opens with a reception on Friday, April 26, from 6 to 8 p.m. (The exhibit will remain open until the end of November.) Peters will give a talk called “Know My Name: How Schoolgirls’ Samplers Created a Remarkable History” at the museum on Sunday, May 5, at 3 p.m.
Although Peters was first attracted to samplers as a form of art and craft, she has come to see them as something more profound. Each sampler tells a story, but you have to know how to read between the lines of thread and fabric. Peters has become an able and eloquent curator of what were once educational tools just for young girls and women. She can look at one and give an educated guess about who made it, how old they were, where they lived and how affluent their family was (or wasn’t).
Some samplers were made on linen, others were made with silk. Some linens are fine, others are rough and homespun.
“Some of my favorites are made on what’s called ‘linsey woolsey,’” Peters said. “It’s a mix of linen and wool that’s been dyed green. It was uncomfortable to wear, but it looks great on a sampler!”
Younger girls often worked first on learning darning stitches, and would make simple samplers with letters of the alphabet. More advanced stitchers might create genealogies or family trees. Peters particularly loves to find multiple examples from one family.
“I have a couple sets that were done by sisters,” she said, “and a collection from the family of Nathaniel Hawthorne,” the American author of “The Scarlet Letter.”
All samplers, though, show the importance of girls within families, Peters said.
Alexandra Peters, left, is exhibiting needlework samplers from her collection at the Litchfield Historical Society Museum.Cynthia Hochswender
“Parents were excited about their girls getting an education and coming out in the world and displaying their accomplishments. It’s different from what we think.”
“We tend to scorn or disrespect things made by women, particularly if they’re domestic. But before the Industrial Revolution, all work was done at the home, by women and by men. There weren’t jobs that you went to, you did the work at home. Samplers, and needlework, are the work of women, the work of girls.”
Samplers were rarely sold, Peters said, except ones made to help Southern Blacks to escape slavery.
“They were made anonymously and sold at anti-slavery fairs from the 1830s to the 1860s. I have one that can be used as a potholder and it says, ‘Any holder but a slaveholder.’ I have another that must have been a table runner that says, ‘We’s free!’ We’d see some of them as offensive now, but they weren’t at the time; they were joyful.”
Every sampler tells a story, and Peters is an able and entertaining interpreter of those tales. Learn more by visiting the Litchfield History Museum and seeing the exhibit (complete with explanatory museum cards) and come for her talk about samplers on May 5. Register for the opening reception and for the talk at www.litchfieldhistoricalsociety.org/exhibitions.
