Asking for Trouble

Ah! Americans love British drama about class, intrigue and, when possible, royalty. Take, say, “My Fair Lady,” “Downton Abbey,” or, even better, “A Man for All Seasons,” this last drawing good-sized audiences to Rhinebeck’s Performing Arts Center. This Centerstage Production has it all: beginning with an incorruptable polititian in Sir Thomas More, the king’s chancellor, who insists that the rule of law must be defended, no matter the cost. This vexes King Henry VIII, who aims to divorce his wife of several decades, because she has borne him no sons, and marry Anne Boleyn who, he figures, could get the job done. But More (elegantly played by James Klosty) stands in the king’s way. Yes, the papacy is corrupt. Yes, the king needs an heir. But no, the chancellor will not sign the Act of Succession, freeing Henry of one wife to take another. “This is not Reformation,” More cries out. “This is war against the papacy.” And so it was. Though some critics fuss about the historical accuracy of Robert Bolt’s play, written first for BBC Radio in 1954, it makes compelling theater. That’s because the rule of law is usually in peril in this country, and defending it can make heady language — in English or American. Also, Klosty, along with David Foster as Henry VIII, Chris Bailey as Common Man and Deborah Coconis as Lady Alice keep the poetry moving. Yes. More’s rectitude gets a little tiresome by the second act, but that’s all right. A speck of doubt, a wisp of change would only disappoint us. And we knew from the start, anyway, that a man who ties himself to his ideals is heading for a world of trouble. In all, this is a very entertaining play, very neatly directed by Diana di Grandi. “A Man for All Seasons” runs at Rhinebeck’s Center for Performing Arts through April 1. For tickets and information, call 845-876-3080, or go to www.centerforperformingarts.org.

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Photo submitted

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