The latest international flu scare: Is H5N1 influenza a doomsday virus?

The papers have been full of articles over recent months about a doomsday influenza virus called H5N1 that has been created by scientists. The New York Times (Jan. 7), the Economist and other papers are thundering about looming calamity, and this column was about to do the same. But in a moment of sense I decided to visit my friend and colleague, Vincent Racaniello. Dr. Racaniello is the Higgins professor of microbiology at Columbia, the author of an important virology textbook and host of the podcast “This Week in Virology.”

Flu viruses are made of segments of genetic material surrounded by a protein shell. Many variations of flu virus circulate in birds, pigs, humans and other animals. When different viruses infect the same cell, they may trade genes, creating a new virus to which our unvaccinated immune systems cannot respond quickly, as in the H1N1 pandemic of 2009. (See “The flu is with us again, but maybe not forever,” The Lakeville Journal, Oct. 20, 2011, for details of flu viruses and new ways to defeat them.) Viral genes may also mutate in a less dramatic way, and these mutations can also cause trouble.

The reason for the excitement in the press is that among 571 people hospitalized with an acute H5N1 influenza infection, nearly 60 percent died. The infected people had been in close contact with birds that carried H5N1. H5N1 does not spread easily from one human or mammal to another, so the infection has not spread worldwide in the human population. Now, scientists in three laboratories have selected mutated forms of H5N1 that infect at least one mammal — the ferret.

The bad news is that the mutated virus from one ferret infects others in nearby cages. Most flu viruses affect the upper airways, but the new version of H5N1, which has five mutations that distinguish it from the previous virus, adheres to molecules on the surface of cells found farther down in the lungs of ferrets and humans, accounting for its transmissibility.

Two questions arise from this work. First, should we be scared? Second, should scientists be free to do potentially dangerous experiments? As for being scared, Dr. Racaniello smiled.

“Look, the virus is not nearly as lethal as it sounds,” he said. “Everyone thinks that there have been only 571 cases in Southeast Asia and very high lethality, but those were people who had been hospitalized. There are thousands of people who have been infected and had mild disease or no symptoms at all. We know this because they have antibodies to the virus in their blood. The chances of dying from H5N1 are not even close to 60 percent. Even in seasonal flu, if you are sick enough to be in the hospital, you have a good chance of dying, perhaps 20 percent, but only a fraction of 1 percent of infected people are sick enough to be hospitalized.”

There are other reasons for sober concern rather than panic. The fact that the virus spreads among ferrets does not mean that it will do so among humans. Trials in Southeast Asia show that the drug Tamiflu works against H5N1 and a vaccine is ready for rapid production if the virus evolves to allow human-to-human infection.

Finally, there may soon be new methods to create vaccines and to treat acute viral infections. The H5N1 virus has been followed since the 1990s and thanks to modern DNA sequencing and data analysis, the medical and scientific community will know quickly when it acquires new properties. This is still a serious virus but, according to Dr. Racaniello, everyone, including the editorial writers and reporters of The New York Times, should calm down.

Should scientists be free to do potentially dangerous experiments? The rationale in this case was not evil, but there are several worries. First, a virus that infects humans could escape from the laboratory and second, the information might be considered a source for terrorists. Those risks have to be balanced against the potential utility of the information. The nature of the new mutations has not been made public and both Nature and Science, two prestigious journals, are considering whether to publish the data.

The instinct of scientists is that to know is better than not to know, but some say this work should never have been done. There is no reason that decisions like the one to select a transmissible virus should be left exclusively to scientists, who are morally no wiser than any other group. All major research institutions have institutional review boards that decide whether an experiment on humans is permissible, and they include nonscientists. Perhaps the same should hold true on questions of dangerous experiments, like generating new viruses. The Winsted Journal’s editorial page welcomes all opinions and discussion, as do I.

Richard Kessin, Ph.D, is Professor of Pathology and Cell Biology at the College of Physicians and Surgeons of Columbia University. He and his wife, Galene, live in Norfolk. He can be contacted at rhk2@columbia.edu.
 

Latest News

The artistic life of Joelle Sander

"Flowers" by the late artist and writer Joelle Sander.

Cornwall Library

The Cornwall Library unveiled its latest art exhibition, “Live It Up!,” showcasing the work of the late West Cornwall resident Joelle Sander on Saturday, April 13. The twenty works on canvas on display were curated in partnership with the library with the help of her son, Jason Sander, from the collection of paintings she left behind to him. Clearly enamored with nature in all its seasons, Sander, who split time between her home in New York City and her country house in Litchfield County, took inspiration from the distinctive white bark trunks of the area’s many birch trees, the swirling snow of Connecticut’s wintery woods, and even the scenic view of the Audubon in Sharon. The sole painting to depict fauna is a melancholy near-abstract outline of a cow, rootless in a miasma haze of plum and Persian blue paint. Her most prominently displayed painting, “Flowers,” effectively builds up layers of paint so that her flurry of petals takes on a three-dimensional texture in their rough application, reminiscent of another Cornwall artist, Don Bracken.

Keep ReadingShow less
A Seder to savor in Sheffield

Rabbi Zach Fredman

Zivar Amrami

On April 23, Race Brook Lodge in Sheffield will host “Feast of Mystics,” a Passover Seder that promises to provide ecstasy for the senses.

“’The Feast of Mystics’ was a title we used for events back when I was running The New Shul,” said Rabbi Zach Fredman of his time at the independent creative community in the West Village in New York City.

Keep ReadingShow less
Art scholarship now honors HVRHS teacher Warren Prindle

Warren Prindle

Patrick L. Sullivan

Legendary American artist Jasper Johns, perhaps best known for his encaustic depictions of the U.S. flag, formed the Foundation for Contemporary Arts in 1963, operating the volunteer-run foundation in his New York City artist studio with the help of his co-founder, the late American composer and music theorist John Cage. Although Johns stepped down from his chair position in 2015, today the Foundation for Community Arts continues its pledge to sponsor emerging artists, with one of its exemplary honors being an $80 thousand dollar scholarship given to a graduating senior from Housatonic Valley Regional High School who is continuing his or her visual arts education on a college level. The award, first established in 2004, is distributed in annual amounts of $20,000 for four years of university education.

In 2024, the Contemporary Visual Arts Scholarship was renamed the Warren Prindle Arts Scholarship. A longtime art educator and mentor to young artists at HVRHS, Prindle announced that he will be retiring from teaching at the end of the 2023-24 school year. Recently in 2022, Prindle helped establish the school’s new Kearcher-Monsell Gallery in the library and recruited a team of student interns to help curate and exhibit shows of both student and community-based professional artists. One of Kearcher-Monsell’s early exhibitions featured the work of Theda Galvin, who was later announced as the 2023 winner of the foundation’s $80,000 scholarship. Prindle has also championed the continuation of the annual Blue and Gold juried student art show, which invites the public to both view and purchase student work in multiple mediums, including painting, photography, and sculpture.

Keep ReadingShow less