Artist claims censorship as cartoons are removed from Sharon Town Hall

SHARON — Lakeville Journal Co. editorial cartoonist Dianne Engleke, a resident of Millerton, is accusing employees and elected officials at Town Hall in Sharon of censorship. The walls of the town offices have been used, in recent years, as an art gallery. The exhibits are curated by Tax Collector Donna Christensen. The featured pieces are usually paintings or photographs, often but not always by Sharon residents; their work is shown by invitation. They usually remain up for about a month. Engleke has a friend who works at the town hall who is familiar with her political cartoons, which have appeared in The Lakeville Journal Co.’s Millerton News for several years. The friend spoke to Christensen, who invited Engleke to come in and meet with her.“Donna saw the works and approved them, on two occasions,” Engleke said. Although she also does artwork that does not make social commentary, Engleke said she showed Christensen works that were political in nature. The cartoons had been shown once already, at the NorthEast-Millerton Library, which is a much larger venue. The show was called Opinion Ink; the Sharon show was to be titled Opinion Ink 2.“That show had more than 200 pieces,” Engleke said. “All the works that were taken down in Sharon were shown in Millerton, and no one burned the library down.”For Sharon, she chose about 40 pieces from her 273 published cartoons.“I chose works that were strong, based on the drawings, but that I thought were also funny,” she said. “I did not choose ones that I thought would cause trouble. I thought it was a balanced show.”Apparently someone at Sharon Town Hall didn’t agree. Last Tuesday, Nov. 29, in preparation for the Dec. 1 opening of the show, Engleke and her husband, Mark Liebergall, a co-founder of the 14th Colony Artists group, hung half of the cartoons on the walls of the gallery.“A lot of people were there while we were hanging them and they saw the first 24 pieces and did not seem to have a problem with them,” Engleke said. But, she said, “I went back the next day and the wall that should have had nine cartoons had one left. My first thought was that they fell. Then I realized that wasn’t possible. I went around the corner and saw more spaces.“Then a man came out. He didn’t introduce himself but he said the committee thought the ones taken down were inappropriate,” Engleke continued. “He did not tell me what the committee was. “He pointed to the remaining pieces and asked if I wanted to show them. I said, ‘No, thank you, this is censorship,’ and took the rest down.”Engleke later identified the man as town volunteer William Braislin, who is chairman of the four-member Town Hall Building Committee. When asked about the decision for this newspaper article, Braislin said, “I would love to discuss this with you but I think this thing has exploded and I just don’t want to comment.”He said the decision to take the cartoons down was made by “one of the members in charge of the art department, not me.” But, he added, “I’d rather not say who it is.”Sharon First Selectman Bob Loucks said it was a group decision to pull Engleke’s cartoons from the exhibit.“A number of people walked through and found some of them offensive, and then people who look after the building walked though and thought it was not appropriate to be hung, and they requested some be taken down,” Loucks said.Engleke’s cartoons express the artist’s opinions on a wide array of subjects. Many of them are political and are critical of politicians and elected officials, particularly those in Washington, D.C.“We had only hung cartoons that had been published through 2009,” Engleke said. Although one was critical of the Obama administration and one was critical of Bill and Hillary Clinton, many were critical of the Bush administration because, she said, “that’s who was in office until 2009. From 2010 and 2011 I did cartoons critical of the Democratic administration, but those had not yet been hung.”Among the drawings that were removed, “one was about China and Tibet and the Olympics. There was one about the Blackwater contractors making more money than regular soldiers; it was pro-Army. And there was one critical of the Bush administration about a decision affecting medical insurance for children.”The cartoons critical of Obama and the Clintons, she noted, were not removed from the walls. Loucks, a Republican who ran unopposed this November to win his second term in office, stressed that the works were not taken down at his request.“I didn’t do it,” he said. “There was no one person, and I’m not really going to say a lot about it, especially if there’s going to be some kind of legal thing turned over to an attorney.”“There isn’t going to be any legal action,”Engleke said in an interview Monday, Dec. 5. “But we are going to attend the next selectmen’s meeting in Sharon. Many members of the 14th Colony Artists group live in Sharon and many Sharon residents are artists. We’ve spoken to many of them and feel they really need to carry the ball here.“This is their town and this is their building and they should be active participants in whatever rules are drawn up for displays in their public space.“I have trouble with people from the outside being in the forefront. I think people in the community that’s being affected need to take ownership of the issue.”The next meeting of the Sharon Board of Selectmen is Tuesday, Dec. 13, 5:30 p.m., in the upstairs meeting room.Engleke said she feels ready to move on but “I do want a written apology from the people at Town Hall acknowledging that they took down those 10 works.“I would still like to have the entire show up in Sharon sometime — but not just the censored works. If they choose which ones go up, it allows them to define me by those works. It’s the whole show or nothing. And no, I wouldn’t go back to the town hall for the show.”Meanwhile, she said, “I have other projects I’m working on.” Whitney Joseph contributed to this article.

Latest News

Walking among the ‘Herd’

Michel Negroponte

Betti Franceschi

"Herd,” a film by Michel Negroponte, will be screening at The Norfolk Library on Saturday April 13 at 5:30 p.m. This mesmerizing documentary investigates the relationship between humans and other sentient beings by following a herd of shaggy Belted Galloway cattle through a little more than a year of their lives.

Negroponte and his wife have had a second home just outside of Livingston Manor, in the southwest corner of the Catskills, for many years. Like many during the pandemic, they moved up north for what they thought would be a few weeks, and now seldom return to their city dwelling. Adjacent to their property is a privately owned farm and when a herd of Belted Galloways arrived, Negroponte realized the subject of his new film.

Keep ReadingShow less
Fresh perspectives in Norfolk Library film series

Diego Ongaro

Photo submitted

Parisian filmmaker Diego Ongaro, who has been living in Norfolk for the past 20 years, has composed a collection of films for viewing based on his unique taste.

The series, titled “Visions of Europe,” began over the winter at the Norfolk Library with a focus on under-the-radar contemporary films with unique voices, highlighting the creative richness and vitality of the European film landscape.

Keep ReadingShow less
New ground to cover and plenty of groundcover

Young native pachysandra from Lindera Nursery shows a variety of color and delicate flowers.

Dee Salomon

It is still too early to sow seeds outside, except for peas, both the edible and floral kind. I have transplanted a few shrubs and a dogwood tree that was root pruned in the fall. I have also moved a few hellebores that seeded in the near woods back into their garden beds near the house; they seem not to mind the few frosty mornings we have recently had. In years past I would have been cleaning up the plant beds but I now know better and will wait at least six weeks more. I have instead found the most perfect time-consuming activity for early spring: teasing out Vinca minor, also known as periwinkle and myrtle, from the ground in places it was never meant to be.

Planting the stuff in the first place is my biggest ever garden regret. It was recommended to me as a groundcover that would hold together a hillside, bare after a removal of invasive plants save for a dozen or so trees. And here we are, twelve years later; there is vinca everywhere. It blankets the hillside and has crept over the top into the woods. It has made its way left and right. I am convinced that vinca is the plastic of the plant world. The stuff won’t die. (The name Vinca comes from the Latin ‘vincire’ which means ‘to bind or fetter.’) Last year I pulled a bunch and left it strewn on the roof of the root cellar for 6 months and the leaves were still green.

Keep ReadingShow less
Matza Lasagne by 'The Cook and the Rabbi'

Culinary craftsmanship intersects with spiritual insights in the wonderfully collaborative book, “The Cook and the Rabbi.” On April 14 at Oblong Books in Rhinebeck (6422 Montgomery Street), the cook, Susan Simon, and the rabbi, Zoe B. Zak, will lead a conversation about food, tradition, holidays, resilience and what to cook this Passover.

Passover, marked by the traditional seder meal, holds profound significance within Jewish culture and for many carries extra meaning this year at a time of great conflict. The word seder, meaning “order” in Hebrew, unfolds in a 15-step progression intertwining prayers, blessings, stories, and songs that narrate the ancient saga of the liberation of the Israelites from slavery. It’s a narrative that has endured for over two millennia, evolving with time yet retaining its essence, a theme echoed beautifully in “The Cook and the Rabbi.”

Keep ReadingShow less