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John Fisher Polhemus
Apr 24, 2024
DOVER PLAINS — John Fisher Polhemus, 86, of Coventry, beloved husband of the late Gayle (Cronin) Polhemus, passed away Sunday, April 7, 2024, at home surrounded by his loving family. He was born July 30, 1937, in Sharon, the son of the late John A. and Gertrude (Fisher) Polhemus.
He grew up in Dover Plains, where he excelled in sports and academics. His mother, Gertrude, was his 3rd grade teacher and he couldn’t get away with anything. He loved to hike with his dad and brother Dick to the Stone Church and through the hills around Dover Plains. He graduated Dover High School and went to the Massachusetts Institute of Technology, graduating with a degree in Aerospace Engineering.
He moved his young family to Vernon, Connecticut, where he worked for Pratt and Whitney for 30 years, traveling to Austria, Switzerland, South Korea, Taiwan and China. He loved gardening and gathering wildflowers for his yard, Lady Slippers, especially. He enjoyed coaching his kids and others in youth track and field. He was passionate about genealogy and his family tree. After retiring, he and Gayle moved to Calabash, North Carolina.He enjoyed golfing, gardening and traveling with Gayle to visit family. He loved researching history and wrote two books with his brother, Dick.
After Gayle’s death in 2005, John moved back to Connecticut to be with family. He lived his last 9 years with his son and family in Coventry. He cherished all his children, grandchildren and great grandchildren. He was a fan of golf, baseball, and football. He was a loving son, brother, husband, father, grandfather, “ggpa” and friend. He will be missed.
John is survived by his brother, Richard Polhemus and Maria of New York, first wife and friend, Claudette Polhemus of Connecticut. Children; John Polhemus and Mercy of Maine, Jeff Polhemus and Kathleen of Connecticut, Michelle Johnson and Peter of Vermont, Martha Hagerty of New Jersey, Amy Nearine of New Jersey, Luke Nearine of Connecticut and Sheryl Nearine of the District of Columbia; fifteen grandchildren and thirteen great grandchildren.
Funeral services will be private at the convenience of the family. In lieu of flowers, memorial donations in his memory may be made to Town of Dover Historical Society, PO Box 767, Dover Plains, NY and/or Kent Historical Society, PO Box 651, Kent, CT 06757. For online condolences, please visit: www.pietrasfuneralhome.com
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Nicholas Warner McClelland
Apr 24, 2024
CORNWALL — Nicholas Warner McClelland, 78, died peacefully in hospice care on Feb. 25, 2024, surrounded by his family. Nick was born in Bryn Mawr, Pennsylvania, on April 29, 1945, to the late Mary (Sharpless) McClelland and David C. McClelland. Nick was a graduate of the Cambridge School of Weston and Boston University.
After spending his formative years in Middletown Connecticut, Nick moved to Cambridge Massachusetts with his family. He spent many summers in Cornwall, later living in the greater Boston area and ultimately moving to Marblehead, Massachusetts, where he resided until his death.
A visionary in his field, Nick established AV Design Associates, a company specializing in designing innovative multimedia installations and exhibits. His creative endeavors extended as far as Venezuela, where many of his creations found their place.
He also worked at various audio-visual companies in the Boston area which involved AV installations at Harvard, Boston University and other large institutions.
Beyond his professional achievements, Nick found joy in traveling with his family, cherishing his adventures and nurturing a passion for competing in the annual “Opera House Cup” sailboat race in Nantucket, Massachusetts.
Nick is survived by his wife of 37 years, Christine Zerbo McClelland, his son Brandon and wife Bo, his siblings; Duncan, and wife Alexandra, Sarah and husband Mike McMullen, Jabez and wife Cathy, sisters Katie, Mira and husband Alex, Usha and husband Nick. Also, he is survived by his step-mother, Marian, and her husband Tom, as well as many nieces and nephews.
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Fire investigator Laura Billon gives an overview of her work to the Falls Village Volunteer Fire Department.
Patrick L. Sullivan
FALLS VILLAGE — Laura Billon, a veteran fire investigator and educator from southern California, gave a detailed overview of fire investigation practices to an audience of firefighters and fire marshals at the Emergency Services Center in Falls Village on Saturday, April 20.
The event was part of the Falls Village Volunteer Fire Departments 100th anniversary celebration.
Billon started off by saying that the common thread in all fire investigations is “Safety First.”
“Be a risk evaluator, not a risk taker.”
The next item she hammered home at several points in the presentation.
“Absence of evidence is not evidence of its absence.”
Fires involve high temperatures and the release of gases. “Things disappear or are unrecognizable.”
That doesn’t mean the truth cannot be teased out of what remains.
It does mean that investigations must use the scientific method, proceed carefully and systematically, and document everything.
Billon said advances in forensic science mean that fire investigations are more carefully scrutinized than they were 40 or 50 years ago.
And if a case does get to court, investigators need to be able to refer to their case files and now immediately how they reached a conclusion.
This can happen weeks, months or even years after the event. Billon recalled receiving a subpoena eight years after a fire.
The systematic approach to a fire investigation looks like this:
Start with the exterior and move to the interior.
Move from the area of least damage to the area of most damage.
Make sure the fire scene documentation is consistent among investigators.
Use the same method every time, regardless of the size or type of fire.
“A dumpster fire or a large factory — the approach is the same.”
Investigators should always consider the following items:
The weather at the time of the fire.
Is the building vacant?
Have there been previous alarms at the location?
Are people and/or vehicles leaving the area?
Are there familiar faces among the onlookers?
And “Do you see something that’s aberrational?”
Other considerations include the color of the smoke and/or flames, how big or how fast the fire is moving, unusual odors such as gasoline or kerosene.
Sometimes fires occur in buildings that are zoned for one purpose and used for another.
Fire investigators are law enforcement officers, and sometimes other agencies need help.
Billon used the example of a building that housed a legitimate (if seedy) internet pornography operation.
Billon got a call from an FBI agent who asked if he and a colleague could tag along on a surprise fire inspection, posing as fire investigators.
While Billon did her inspection, the agents slipped away and planted small cameras in the facility.
Turned out the porno business was a front for a massive methamphetamine operation.
A big part of fire investigations doesn’t involve poking around in smoldering rubble.
Interviews (not interrogations, Billon was quick to add) are essential in finding the truth about a fire.
She cited the “80/20 Rule,” where 20% of the evidence at the scene is forensic and 80% is from interviews.
Billon emphasized that “arson” is a legal term. To charge a suspect with arson, prosecutors need to prove “willful, malicious or reckless intent.”
This is easier said than done. Billon said that about 25% of fires can be proven to be arson.
These cases typically break down like this:
Vandalism, attempts to conceal a crime, excitement or thrill-seeking, revenge, profit, and extremism/terrorism.
She gave an example of a fire set for profit.
Speaking as a budding arsonist: “Hello, insurance company? I need as much fire insurance as I can get, and I need it by Saturday.”
Speaking as herself: “That is what we call a clue.”
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Poem painting
Apr 24, 2024
Lans Christensen
Piper and Dexter Polley took part in “Paint a Poem” at Kent Memorial Library April 17 in honor of National Poetry Month. Assorted poems by famed authors such as Emily Dickinson were printed out and available for attendees to create their own painted poetry. A wide assortment of materials was provided and put to good use by enthusiastic painters.
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