MILLBROOK — When the Cary Institute of Ecosystem Studies was founded by Gene Likens, world-renowned ecologist, in 1983, the world was a very different place. Over those 35-plus years, science has evolved, and so has the Cary, and while buildings were added to and improved upon, the main edifice has basically remained the same.
Joshua Ginsberg, the current president of the institute, invited Cary supporters, board members, area residents and community members to share in “Reimagining the Cary Institute” via Zoom on Friday, Aug. 21, and a great many took him up on the offer.
Ginsberg spoke of the future of the Cary, plans for a $13 million renovation, $11 million of which has already been fundraised, with a Campaign for Cary launched to hopefully raise the remaining $2 million.
Ginsberg answered many questions that have arisen concerning the renovation of a building that is a familiar site on Route 44. For instance: Is this the right time to start a project like this, during a worldwide pandemic? Plans were made far in advance of the COVID-19 crisis; it was put on hold, but now it’s felt that it will be safe to proceed. The expected time for the renovation to be completed is between 12 and 18 months. Since many scientists and staff are already working from home, there will be less disruption to the scientific work and research done at the institute. Only a small section of the nature trail, from the fern glen to the headquarters, will be closed, and at times parking in the lot will be unavailable, but other arrangements will be made for onsite access to parking and trails.
Ginsberg said when the staff and the pubic are able to return to the brick and mortar establishment, “they will be returning to a cutting-edge building that has incorporated modern health and safety features, and is highly energy efficient.”
Some have asked why the original building isn’t being torn down, and an entirely new building constructed, but Ginsberg pointed out that the original building was built in 1974 to last, using sustainable products, and it remains sound. It was also noted for its energy efficient design and original saw-tooth roof that allows natural lighting. This original design will be reinstated, and the solar field adjacent to the property will be used as an energy source.
“We are focusing on updating the mechanicals and the way space is used,” he said. “Renovating the space is greener, cheaper, takes less time and is far less disruptive to our campus.
Becker and Becker, architects from Westport, Conn., are doing the work. The pandemic has had some influence on their redesign; separate air handling systems will be used so that all indoor spaces will have their own filtered outdoor air, not recirculated air. They are also observing the need for social distancing and will be using low-VOC products. Hands-free doors and fixtures as well as antimicrobial surfaces are also being use, as well as a design that will keep a connection to nature. A recent renovation provided added community space, which will also be updated with health and safety in mind.
While about 570-square feet will be added, allowing the scientists 1,200 additional square feet of space, the return to the saw-tooth roof will lower the height of the building by approximately 5 feet, the berms that cover part of the building will be removed and an old squash court currently being used for storage will be reclaimed.
Consigli Construction Company of Pleasant Valley will be the construction managers, and a number of local vendors will also be tapped for work, providing local jobs.
The project is expected to get underway just after Labor Day, according to Cary Communications Assistant Erin Frick. The new design “prioritizes energy efficiency, sustainable materials and features that support health,” she added, noting some traffic disruptions may occur periodically, but nothing dramatic is expected.
“The modernized facilities will help us to advance the science needed for environmental solutions,” concluded Ginsberg.
For more on the Cary Institute, go to www.caryinstitute.org.
"Town of Amenia Welcomes You"
AMENIA — Preliminary discussion over whether or not the town will “opt in” to state regulations that guide the opening and operation of a local cannabis dispensary continued at the regular meeting of the Town Board on Thursday, March 21.
Town Supervisor Leo Blackman introduced the discussion, noting that to move ahead on zoning questions related to location of a dispensary, the board might need the services of a town planner.
The potential cost for those services was estimated at about $30,000, but following exploratory discussion, it was clear that any planner would need more project detail, particularly state and local restrictions to be imposed.
Following brief discussion, the board agreed that potential locations would be identified in advance of the next Town Board meeting on Thursday, April 4.
Board member Brad Rebillard mentioned required setbacks from roadways.
“It should not be in the town center,” said board member Rosanna Hamm, leading to general agreement that a possible site might be within a shopping plaza. Adequate parking will also be a consideration.
— The March 21 Town Board meeting included a welcome to interim member Nicole Ahearn, appointed to fill the seat vacated by Leo Blackman when he won election to the post of Town Supervisor.
— In response to a request from the Housatonic Valley Association (HVA), the board voted unanimously to provide a letter of support for a grant application the HVA is preparing. If successful, the grant would fund work to improve conditions along and within Wassaic Creek.
“It’s an effort to clear up flooding issues,” Blackman explained.
The Town Board also unanimously approved a resolution to adopt the HVA Ten-Mile River Watershed Management Plan. The plan formalizes a collaboration among 15 towns in two states to preserve and protect waterways within their region.
— Speeding traffic in the vicinity of the Maplebrook School crosswalk was a public safety issue raised by Hamm, who had determined that the Department of Transportation (DOT) could be asked to install speed control devices, but they would need a resolution from the board.
Blackman indicated that he would schedule a meeting with the DOT. Hamm suggested that Maplebrook School should issue a letter of concern and support to assist in the effort.
— Recent years have seen deterioration of the Town Hall gym floor, leading the Town Board to consider options for replacement; in 2023, the Town Board obtained repair or replacement estimates.
Presently, the gym floor tiles are cracking and unstable.
At a regular Town Board meeting on Thursday, March 21, Town Supervisor Leo Blackman noted that the tiles now in place rest on top of plywood.
Under the plywood is a solid maple floor. Under the maple floor is another layer of plywood.
An option to refinish the maple floor was estimated to cost $27,000. A vinyl floor could run up to $55,000, but vinyl wears out, Blackman said. A poured floor of Herculan seamless floors made from synthetic polyurethane- — a.k.a. plastic — is estimated to cost $39,500, but an advantage is that the floor would offer a cushioned surface.
The board voted unanimously to ask the board attorney, Ian Lindars, to draft a resolution to be discussed at the next meeting, which will take place Thursday, April 4.
The Webb Family in the workshop. From left: Phyllis, Dale, Ben and Josh Webb, and project manager Hannah Schiffer.
Magic Fluke Ukulele Shop and True Wheels Bicycle Shop are not only under the same roof in a beautiful solar powered building on Route 7 in Sheffield, but they are also both run by the Webb family, telling a tale of familial passion, innovation and a steadfast commitment to sustainability.
In the late ‘90s, Dale Webb was working in engineering and product design at a corporate job. “I took up instrument manufacturing as a fun challenge,” said Dale. After an exhibit at The National Association of Music Merchants in Anaheim, California, in 1999, The Magic Fluke company was born. “We were casting finger boards and gluing these things together in our basement in New Hartford and it just took off,” Dale explained. “It was really a wild ride, it kind of had a life of its own.”
For the first few years of business, Dale and Phyllis Webb were making and shipping 3,000 to 4,000 instruments a year. They soon moved out of their basement and into an old, abandoned service station in New Hartford where they were also fulfilling orders for books written by Phyllis’s brother, Jim Beloff. “He was a guitarist, songwriter and performer,” said Dale of his brother-in-law. “He picked up a ukulele at a flea market and he never went back to guitar.” Beloff established Flea Market Music, which published the wildly popular Jumpin’ Jim’s Ukulele Songbook series. Beloff’s songbooks, instructional books, DVDs and the Webb Family’s Fluke and Flea ukuleles have contributed greatly to the popularity of the instrument.
Developed in the 1880s, the ukulele is based on several small, guitar-like instruments of Portuguese origin that were introduced to the Hawaiian Islands by immigrants from Madeira, the Azores and Cape Verde. In the Hawaiian language the word ukulele roughly translates as “jumping flea.”
Since its first shipment of concert Flukes in three distinct color options in June of 1999, the product line has expanded exponentially with a diverse array of offerings. From the traditional Soprano, Concert, Tenor and Baritone Uke Banjos to the more contemporary solid body Electric Uke and Timber Bass, Magic Fluke has carved out a niche in the world of stringed instruments. Said Dale, “Our niche has been the nontraditional look, which, I think, has served us well. We have an iconic, unique headstock and then we do a lot of customizing with either laser engraving or printing. We can print anything on a face, and we do that in-house. People send us their pictures or artwork and we can put that right on the instrument.” Recent additions, such as the five-string violin introduced in 2021, signify the company’s ongoing commitment to innovation. A short-scale electric cello is slated for release later in 2024.
With a keen eye for locally sourced materials and a commitment to eco-friendly practices, Magic Fluke stands as a testament to the power of conscientious craftsmanship. This ethos of environmental responsibility has been proudly passed on to the three Webb boys: Josh, Ben and Sam, who are not only continuing the family ukulele business, but expanding to include their own interests and areas of expertise. Ben Webb is building an inventory of furniture and home objects, “highly functional, very simple forms that are made of local hardwoods,” he explained. “The whole idea is to build something of quality and put it in the hands of as many people as possible. I feel like it’s often one or the other. It’s like, build something of quality and put it in the hands of people that can afford it or put it in as many hands as possible but compromise on quality.”
The Webbs do not compromise on quality, while forging deep relationships within all their various networks. “It feels really good to be able to sell something that is made with dignity and has a really thoughtful environmental impact,” Ben explained.
This careful and skilled craftsmanship doesn’t end with ukuleles or handmade home objects: enter True Wheels Bicycle Shop.
Led by Josh Webb in partnership with his younger brother Sam, the foray into bicycle rental and repairs seamlessly intertwines with Magic Fluke’s mission of creativity and sustainability. Said Josh, “The whole family has been into cycling from a young age and then in college I did some competitive riding and found out about this company called Seven Cycles in Watertown.” After studying mechanical engineering in college, Josh went to work for Seven Cycles for a time before returning to the family business.
“I guess in the back of my mind since then it has been a goal to have some kind of a bike shop, just because I enjoy repairing bicycles and keeping things rolling for people.” Asked how the skills of instrument building and bike maintenance are related, Ben offered, “It’s the same, really. It’s attention to detail, understanding how things work and having the fine motor skills to do anything.” He laughed, “You know, sometimes I think if I wasn’t so queasy, I could go into surgery.” Josh added, “I’m reminded of a quote that I stumbled on recently that talks about how the Shakers and the Native Americans both shared a love of craft without materialism. They were not materialistic people, but they had a love of craft. And that for me, is something I strive for.”
As the workshop buzzed with creativity and production, Phyllis Webb reflected on the 25 years of the family business as she and Dale prepare to take a step back. “I think we never expected to have our kids in the business. We never wanted anybody to feel obligated, so we wanted everybody to go off and do their own thing and feel like they had wings to spread. The fact that they’re here is wonderful.”
In an age of mass production and disposable consumerism, Magic Fluke and True Wheels stand as bastions of authenticity. “My brother Jim coined the phrase ‘uke can change the world,’” Phyllis mused, “and I feel like we have changed the world in our way.”
Robert Cray
Blues legend Robert Cray will be bringing his stinging, funky guitar and soulful singing to Infinity Hall Norfolk on Friday, March 29.
A five-time Grammy winner, Cray has been inducted into the Blues Hall of Fame and earned The Americana Music Awards Lifetime Achievement for Performance. He has played with blues and rock icons including Albert Collins, Muddy Waters, John Lee Hooker, The Rolling Stones, Tina Turner, Eric Clapton and many more.
Active since 1974, The Robert Cray Band is highly regarded as one of the best groups performing Blues, Soul, R&B, Gospel and Rock n Roll with a sound that is modern while being rooted in classic styles. The group features Robert Cray on guitar and vocals, Richard Cousins on bass, Dover Weinberg on keyboards, and George Sluppick on drums.
With 20 albums to his name, his most recent record “That’s What I Heard” was released in February 2020 and was produced by Steve Jordan, the current drummer for The Rolling Stones. Jordan took over for legendary drummer Charlie Watts after Watts passed away in August 2021.
A legend in his own right, Jordan has performed with Joe Cocker, The Blues Brothers Band and movie (featuring John Belushi and Dan Akroyd), Stevie Wonder, The Saturday Night Live Band and Paul Shaffer and The World’s Most Dangerous Band, the house band for the David Letterman Show from 1982-1986. He has also been a member of Connecticut resident Keith Richard's group The Xpensive Winos since the mid 1980s.
About Cray’s talent, Jordan says, “People gravitate to his guitar playing first, but I think he’s one of the best singers I’ve heard in my life.”
When asked to describe his new record, with a laugh Cray says, “funky, cool and bad.”
Faithful to his Fender Stratocaster guitar, Cray plays with a distinctive, clean tone versus the overdriven sound typical of many blues rockers such as his 90s contemporary Stevie Ray Vaughn, who have an almost hard rock aesthetic. Cray’s playing is often sparse and lyrical, with an almost vocal tone.
The feel-good track “Anything You Want” from “That’s What I Heard” gets frequent airplay on area radio station 98.1 WKZE. With soulful vocals and warbly, tremolo guitar lines reminiscent of Pops Staples, it is an extremely catchy song that swings as much as its rocks. Live, it is sure to get audiences dancing.
His songwriting touches on relationships, love, and more recently the evergreen topic of peace. His song “What Would You Say” poses the simple but profound question:
What would you say, if we quit waging war,
And children fell safe asleep?
One of these days we may all learn to talk,
Over a table with something to eat
Cray’s current tour takes him throughout the USA and Europe with dates booked in Poland, Germany, Austria, Netherlands, Luxembourg, Belgium, Denmark, Switzerland, and back to the USA.
Long dormant, Infinity Hall Norfolk looks like it will be resuming more bookings, though not as much as in previous years. Well known for its stellar acoustics and beautiful, historical architecture, it is one of the better venues to see live performances in northwestern Connecticut and an important economic driver for downtown Norfolk.
Goodworks Productions took over just before the pandemic. Operational expenses and staffing have been as challenging for Infinity as they are elsewhere in the region.
Norfolk and area residents yearn for more concerts at the venue. With less on offer, shows at Infinity are proving popular as the only act in town. Cray’s performance is sure to sell out.
For tickets and information go to www.infinityhall.com.
