Out of the ashes of Blues Project — one of the most influential bands of the mid 1960s — rose another amazing and influential band of that era: Blood, Sweat & Tears, started by Blues Project founding members Steve Katz and Al Kooper.
Katz and Kooper remained with BST for its early glory years (including the band’s performance at the original Woodstock). They then went their own ways, though the band continues to tour — with all new and much younger members.
“It’s essentially a tribute band now,” said Steve Katz, politely, sitting in his music studio/home office in Kent, Conn., where he lives with his wife, the ceramic artist Alison Palmer.
Make no mistake: Katz isn’t sitting around at home strumming his (many) guitars and talking about The Good Old Days. He keeps busy, making music, doing live solo shows (where he feeds his audience’s nostalgia for the exciting early days of rock and roll in Greenwich Village). He recently wrote a well-received autobiography, “Blood, Sweat and My Rock & Roll Years.”
And now he’s getting his old band back together — but that band is Blues Project, not Blood Sweat & Tears. Katz still speaks weekly with Blues Project drummer Roy Blumenfeld, who now lives in California. More than a half century after they first began making music together, they decided that now was the time to do some live shows and record an album.
The new Blues Project band also includes Chris Morrison (vocals and lead guitar), Ken Clark (piano and vocals) and Scott Petito on bass. All three are younger than Katz and Blumenfeld — but old enough to have experienced live music in a pre-computer age.
Referring especially to the drum machines that have added a more machine-made element to music, Katz said, “Drum machines lack soul. Today’s records lack soul.”
He isn’t talking about soul as a musical genre; he’s referring to the spontaneous magic that occurs when a bunch of musicians come together on a stage or in a studio and unexpected things just … happen.
Blues Project itself is largely electric, not at all an unplugged throwback to the early days of American roots music.
Rob Buccino, who writes about music for Compass arts and entertainment, described the band as, “anchored (like Cream) in high-volume cover versions of blues classics. Blues Project was also among the first bands to blend jazz themes with rock instrumentation, an early forerunner to jazz-rock fusion, at a time when psychedelia/acid rock was washing over the country.”
The new Blues Project began touring last year, and they will meet up in a couple weeks at Petito’s recording studio in Woodstock, N.Y.
True to the roots of Blues Project, the plans for the album are not exactly set in stone.
There is no definite list of songs. All the musicians are coming up with ideas; some of the final choices will probably get made on Saturday, June 25, at 7 p.m. when the band is doing a live gig at The Falcon in Marlboro, N.Y. (www.liveatthefalcon.com).
No one is overly stressed out about what the album will eventually become. Part of the fun of Blues Project and of live music in general, Katz believes, is the unique chemistry that happens when a bunch of musicians get together.
“I’m as curious as anyone else might be as to what will happen,” Katz said happily. “That’s the thing about Blues Project: We never know how it will turn out, but we know it will be fun.”
Buccino agrees that this fluid approach to making plans lies deep in the DNA of Blues Project.
“They were among the first ‘jam bands,’ inspiring others to break out of the then-dominant 3-minute popular song mold,” he said.
Also true to the legacy of Blues Project, much of what the band plays will be electric — but not all of it, Katz said, noting with understatement that, “We’re pretty eclectic.”
Blues Project will continue to tour this year, primarily in the Northeast. A West Coast tour is a possibility next year.
And this October, there will be a new album — pressed on CDs.
“CDs still seem like a new thing to me,” Katz sighed. He assumes the album will eventually become available on streaming.
The band is also using a modern innovation to raise money for studio time: They need $12,500 and have started a Kickstarter campaign. Anyone who would like to contribute can go to www.kickstarter.com/projects/bluesproject/the-blues-project-the-new-albu....
Diego Ongaro
Parisian filmmaker Diego Ongaro, who has been living in Norfolk for the past 20 years, has composed a collection of films for viewing based on his unique taste.
The series, titled “Visions of Europe,” began over the winter at the Norfolk Library with a focus on under-the-radar contemporary films with unique voices, highlighting the creative richness and vitality of the European film landscape.
Ongaro has made two films himself. His second feature film “Down with the King” tells the story of a rapper who has come to recoup from career challenges on a farm in the Berkshires. Filmed on location in southwestern Massachusetts, it’s a beautiful movie with bucolic landscapes and moving performances by lead actor Freddie Gibbs.
The film premiered at the 2021 Cannes Film Festival (ACID section), won the top prize at the Deauville Film Festival, was released worldwide by Sony Pictures in 2022, and is currently available for viewing on Netflix. Prior to that, Ongaro’s first feature film "Bob and the Trees" had its world premiere at the 2015 Sundance Film Festival. Ongaro directed more than a hundred children’s programs for French Television in his early 20s and wrote and directed four acclaimed short films.
When asked how the idea for the series came about, Ongaro said, “Last year at the Norfolk Library I did a film series on the Berlin School, and the year before that it was on the French New Wave. I wanted to continue this cycle and offer a window on the cinema that I like.”
“Growing up in Paris, I’ve always had a diverse taste in cinema, watching American and French films, but also films from all over the world that allowed me to travel to places I’ll most likely never see. It was refreshing to see these stories anchored in different cultures. Now that I’ve been living away from native France for about 20 years, I gravitate mostly towards European cinema, probably seeking a culture and sensibility that I miss. A lot of these European films are incredible, offering complex characters and stories, unlike most of the American fare nowadays,” he adds.
The next and last installment happens Friday, April 12 from 7 to 8:30 p.m. and features “Swagger” by Olivier Babinet.
So how did Ongaro curate the films for this series?
“I like to share films that reflect my sensibility as a filmmaker and that most people haven’t seen. I’ve traveled to a lot of film festivals over the years where I got to see many films. I try to find themes within the films that have stuck with me. I like to think of it as a cine club. This year, the three films are all very different from each other, but each have a unique voice and form: a nuanced drama on the Baltic Sea titled ‘Afire’ by Christian Petzold, a hilarious nonsensical comedy called ‘Keep An Eye Out’ by Quentin Dupieux, and a gripping and wonderfully original documentary on teenagers going to school in a difficult projects in France called ‘Swagger’ by Olivier Babinet,” he said.
There were many films that didn’t make the cut due to time constraints, but Ongaro also recommends, “Reality” and “Yannick” by Quentin Dupieux as well as “Jericho,” “Barbara,” “Undine by Christian Petzold.”
As to what the audience can expect from the evening, Ongaro says, “It’s a casual affair. I give an introduction to the film with some backstory and context, talk about the filmmaker, the actors, and then we watch the film. We don’t do question and answer after, we don’t really have time for that, but people linger and talk about what they have just watched. People come to me with questions or to hear my take on an ending, a character. It’s fun to see how engaged people are after each screening.”
Screenings are free. Register on www.norfolklibrary.org.
Young native pachysandra from Lindera Nursery shows a variety of color and delicate flowers.
It is still too early to sow seeds outside, except for peas, both the edible and floral kind. I have transplanted a few shrubs and a dogwood tree that was root pruned in the fall. I have also moved a few hellebores that seeded in the near woods back into their garden beds near the house; they seem not to mind the few frosty mornings we have recently had. In years past I would have been cleaning up the plant beds but I now know better and will wait at least six weeks more. I have instead found the most perfect time-consuming activity for early spring: teasing out Vinca minor, also known as periwinkle and myrtle, from the ground in places it was never meant to be.
Planting the stuff in the first place is my biggest ever garden regret. It was recommended to me as a groundcover that would hold together a hillside, bare after a removal of invasive plants save for a dozen or so trees. And here we are, twelve years later; there is vinca everywhere. It blankets the hillside and has crept over the top into the woods. It has made its way left and right. I am convinced that vinca is the plastic of the plant world. The stuff won’t die. (The name Vinca comes from the Latin ‘vincire’ which means ‘to bind or fetter.’) Last year I pulled a bunch and left it strewn on the roof of the root cellar for 6 months and the leaves were still green.
Disposal is by bonfire, the least desirable method, but in this case the only way of ensuring it does not return.
2024 will be the year I begin to take it out, with sporadic help from hired hands. While they tackle larger areas of the offending plant, I have started from the fringes of the woodland interior and am working outward. Frankly it is not as boring from here as the vinca is less packed into the soil. It is an oddly satisfying task; this has to do with the vine-like nature of the plant. There is a knobby bit tethered to the soil by its roots; once this is lifted up (I use fingers but Norm, who is working in denser beds of the stuff, uses a hori knife) the vine runs to its next root knob about a foot or two away. It feels as if you have progressed quite a bit for one big tug. The same technique can be used on Glechoma, or ground ivy, although the vines are far thinner than those of vinca. I should be working on this well into the next decade.
While nurseries and garden centers continue to push vinca, there are native groundcovers that look great and can help to restore native habitats. Michele Palustra runs Lindera, a small outfit in Sharon that prioritizes local ecotypes of natives, meaning that she collects the seed herself from surrounding property, ensuring that the plants growing from them will serve local insects well. Spreading Jacob’s Ladder, Polemonium reptans, works in moderately shady circumstances, with its dense and deep green set of leaves and a truly beautiful pale purple or white flower. This plant comes to New England from south and west of the US but is hardy to zone 5. One of Michele’s favorites is native Allegheny pachysandra, Pachysandra procumbens.
Unlike the ever-present non-native Japanese pachysandra terminalis which is dying off thanks to Volutella blight, native pachysandra has a more delicate leaf and a showier flower. It is slower to spread than is the Japanese version but the use case is similar; as an underplanting around tree bases and to fill in around plantings in garden beds. I have recommended tiarella cordifolia as a pachysandra replacement for these purposes and suggest pairing either with a native fern such lady fern or maidenhair fern. Native ginger, asarum canadense, and the 200 or so native species of viola, or violet, work beautifully for groundcover; the former is excellent on hillsides where you can better see the shy burgundy colored flower, the latter spreads quickly which is a bonus and all sorts of insects feed on its flowers. Try to get the straight species of these native plants rather than a cultivar of them which may not benefit the habitat as well (this fascinating topic will be covered in the next installment of The Ungardener.)
I have purchased 50 plugs of Pennsylvania sedge, Carex pensylvanica, from the online consolidator Izel Native Plants to plant under cherry trees that have resisted any past attempts to have a downstairs neighbor. I also want to explore ways to encourage the growth of native moss which also makes an excellent groundcover.
Lindera, along with Tiny Meadow Farm, are having a pop-up spring sale in Sharon that I encourage you to visit. They will be selling truly gorgeous native plants including groundcovers.
This will take place Sunday, April 28 from 10-6 at Lindera Nursery, 60 Knibloe Hill Road in Sharon. www.tinymeadowfarm.com/events/spring-sharon-plant-sale.
Dee Salomon "ungardens" in Litchfield County.
Culinary craftsmanship intersects with spiritual insights in the wonderfully collaborative book, “The Cook and the Rabbi.” On April 14 at Oblong Books in Rhinebeck (6422 Montgomery Street), the cook, Susan Simon, and the rabbi, Zoe B. Zak, will lead a conversation about food, tradition, holidays, resilience and what to cook this Passover.
Passover, marked by the traditional seder meal, holds profound significance within Jewish culture and for many carries extra meaning this year at a time of great conflict. The word seder, meaning “order” in Hebrew, unfolds in a 15-step progression intertwining prayers, blessings, stories, and songs that narrate the ancient saga of the liberation of the Israelites from slavery. It’s a narrative that has endured for over two millennia, evolving with time yet retaining its essence, a theme echoed beautifully in “The Cook and the Rabbi.”
Part liturgy, part folk art, part narrative, “The Cook and the Rabbi” is a testament to the adaptability of Jewish traditions. In the introduction, Rabbi Zak articulated, “My prayer has been to reveal a glimpse of the hidden sparks of each holiday and their connection to one another.”
Zak has served as the rabbi of Temple Israel of Catskill since 2012. Simon, the chef and visual artist behind the book, approached Zak with her literary agent after attending one of her services at Temple Israel with the idea for the book. Their collaborative effort is imbued with history and reverence for tradition while expanding meaning, creating an invitation to make the holidays deeply personal. With Passover in particular, Zak wrote: “Some of us long for our childhood and devote ourselves to re-creating those experiences, whereas others are determined to create something different for themselves, their families, and friends.”
From “The Cook and the Rabbi”
Is there anyone who doesn’t love lasagne with its layers of oozing ingredients complementing one other as they attach themselves to your fork? Here’s a recipe that uses sheets of matza instead of pasta, letting you keep up with your lasagne cravings, even during Passover. I used butternut squash for one of the layers as it can be found almost year-round. The flavor of squash diminishes over time— so, you might want to freeze it, peeled and cut into chunks, when it’s freshly harvested. Roasting is a good method to coax flavor out of even the most recalcitrant squash.
Serves 8
—One 1½-pound butternut squash, peeled, seeded, and cut into 1½-inch chunks
—½ cup olive oil, plus some for pan and drizzling
—Flaky salt
—8 ounces spinach, tough stems removed, rinsed
—½ cup chopped onion
—2 teaspoons finely chopped garlic
—¼ teaspoon Aleppo pepper flakes
—One 28- ounce can peeled plum tomatoes (choose the best quality because they’re likely to be preserved in a thick sauce; if the sauce is watery, thicken with a tablespoon of tomato paste)
—1 pound whole- milk ricotta
—¼ teaspoon freshly grated nutmeg
—A few grinds of black pepper
—6 matzas
—½ cup grated Parmesan
—Leaves from 6 flat-leaf parsley sprigs
Heat the oven to 350ºF. Line a baking sheet or jelly- roll pan with parchment paper.
Arrange the butternut squash chunks, in a single layer, in the pan. Moisten with 2 tablespoons of the olive oil and sprinkle with a pinch of flaky salt. Bake, occasionally flipping the chunks, until all sides are golden, about 30 minutes. Remove from the oven but don’t turn the oven off. Mash the roasted squash and set aside.
Heat 1 tablespoon of olive oil in a large skillet over medium- high heat. When the oil is hot, add the still wet spinach and a pinch of salt. Toss to completely coat the spinach. Lower the heat to medium-low and cook until just wilted, 5 to 8 minutes. Remove from the heat and set aside.
Place the remaining 5 tablespoons of olive oil in a medium saucepan over medium heat. Add the onion, garlic, and Aleppo pepper flakes to the pan and sauté until the onion is translucent. Use your hands to crush the tomatoes into the pan. Add all of the can’s sauce. Simmer for 20 minutes.
While the sauce is simmering, place the ricotta in a medium bowl. Coarsely chop the cooked spinach and add to the bowl along with the nutmeg, black pepper, and a pinch of salt. Thoroughly combine.
Use a teaspoon of olive oil to lightly oil a 9-by-13-inch baking dish.
Assemble the lasagne: Cover the bottom of the dish with 1½ matzas. Spread the mashed squash over the top. Cover the squash with a thin layer of tomato sauce. Cover the sauce with 1½ matzas. Spread the spinach mixture over the top. Cover that with a thin layer of tomato sauce, and then cover it with 1½ matzas. Cover this matza layer with half of the remaining tomato sauce. Cover the top of the sauce with 1½ matzas. Evenly spread the remaining sauce over the top. Sprinkle the Parmesan over the sauce. Sprinkle the parsley leaves on top of the Parmesan. Drizzle olive oil over the top.
Bake in the already heated oven until the top is golden and the sides are bubbling. The top of the lasagne should be crunchy — a perfect foil for the almost mousse-like filling.
Freshman pitcher Wyatt Bayer threw three strikeouts when HVRHS played Northwestern April 9.
WINSTED — A back-and-forth baseball game between Housatonic Valley Regional High School and Northwestern Regional High School ended 3-2 in favor of Northwestern on Tuesday, April 9.
The Highlanders played a disciplined defensive game and kept errors to a minimum. Wyatt Bayer pitched a strong six innings for HVRHS, but the Mountaineers fell behind late and were unable to come back in the seventh.
Northwestern's Ty Devita and Housatonic's Wes Allyn were opponents on April 9, but will be teammates come football season.Riley Klein
Despite the proximity of these two schools, this was far from a rivalry game. Players on both teams were more than familiar with the opposing roster after teaming up each fall for several seasons of Gilbert/Northwestern/Housatonic co-op football.
Fans could not have asked for a better spring day to take in the game April 9. Clear skies illuminated the field with temperatures around 72 degrees in Winsted. Singing birds gave way to chirping dugouts as the match got underway.
Chris Race played second for HVRHS.Riley Klein
Wyatt Bayer worked the mound from start to finish for HVRHS. He opened the first inning with a strikeout, but one Northwestern runner reached home before the inning was out. The Highlanders took a 1-0 lead which lasted through the third inning.
In the fourth, Hunter Conklin launched a deep double into center field. He brought home two runners in the process and put HVRHS up 2-1. Northwestern evened the score in the bottom of the fourth to tie it up at two.
The tie persisted through the fifth inning before Northwestern pulled ahead in the bottom of the sixth. Bayer got on base with a single in the seventh, but the Highlanders got out of the inning ahead to win the game 3-2.
Anthony Foley caught Nolan Risedorf in a pickle.Riley Klein
Bayer threw three strikeouts for HVRHS and went 1 for 2 from the plate. Conklin led the Mountaineers offensively with a 2 RBI double.
For Northwestern, Ben Crone batted 2 for 3 with a triple, Gavin Deloy hit 2 for 3 with a pair of singles, and Robbie Ayers hit 2 for 4 and touched home twice including the game winning run.
HVRHS moved to 0-2 for the season. The Mountaineers will host Terryville High School Friday, April 12, at 3:45 p.m.
The dugout tracked a high-flying foul ball.Riley Klein
