Strauss’s Year at Bard

Since 2003, when the Fisher Center opened at Bard College, the Bard SummerScape festival has had a special role in bringing little-known works to light. This year’s winner is Richard Strauss’s rarely performed, next to his last, opera “Die Liebe der Danae” (“The Love of Danae”). Strauss was a contemporary of the Finnish composer Jean Sibelius, whose works will be explored at the Bard Music Festival later this summer. Both composers are best known for their musical conservatism and, if not their active collaboration, at least their lack of public resistance to the Nazis. (Both, in all likelihood, were mainly intent on furthering their careers.) The interwar period saw the ascendance of 12-tone and atonal music, prompting Sibelius and Strauss to dig in their heels, although Strauss had earlier flirted with atonality in his electrifying mythical operas “Salome” and “Electra.” Along with Sibelius, Strauss is also celebrated as a superb orchestrator, and more than the former, he is a master of writing for the voice. His melodic lines are gorgeous, thrilling and complex. (For a great introduction to Strauss’s work, listen to Kiri Te Kanawa’s recording of his “Four Last Songs.”) “Danae,” which may have been neglected, in part, because it was completed in 1940, at the height of the Nazis’ power, is a wonderful example of Strauss’s rich, mature style. In the words of Strauss biographer Michael Kennedy, “ ‘Die Liebe der Danae’ does not deserve its neglect. Its third act alone lifts it into the category of first-rank Strauss.” The story is a deft combination of mythical tales, interweaving the story of King Midas with that of Princess Danae, who gave birth to Perseus after Zeus visited her in the form of a golden rain. It also can be read as a wry commentary on the German situation at the time. The opera’s five performances (July 29 and 31; Aug. 3, 5 and 7) will be sung in the original German with English supertitles. Leon Botstein will conduct the American Symphony Orchestra, with soprano Meagan Miller in the title role, Kevin Newbury directings with the set design by Rafael Viñoly and Mimi Lien. Ticket prices range from $30 to $90. For information and tickets, go to fishercenter.bard.edu, or call 845-758-7900.

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