Time Present, Past and Future

The present and past merged onstage at Bard’s SummerScape last weekend, and the result looked very much like the future.

    Lucinda Childs’s “Danceâ€� still looks fresh after 30 years. Pairs of dancers, dressed in white leotards and flowing white pants, cross the stage in deceptively simple grid-like patterns. The stripped down choreography is no more than a series of turns, slides and low jumps, but at a relentless and ever-increasing pace.

   The music, by Philip Glass, repeats its patterns endlessly, evolving gradually and then returning to the same chord sequences and rhythms.

   A third element, film “decorâ€� by artist Sol LeWitt, adds focus.

   LeWitt filmed Childs and her dancers doing the same choreography, back in 1979, and their image is projected on a giant scrim in front of the stage, with the live dancers visible behind. The projected dancers appear 30 feet tall, sometimes seeming to loom like ghostly giants, other times to be dancing in a space above the heads, or through a window behind, the live dancers. Sometimes they are shot from above, on a white floor with a grid pattern, so that the live dancers appear to be dancing in a room below them. The live and the spectral dancers sometimes move in perfect synchrony, other times a beat apart. Watching, I had the feeling of a giant and complex mathematical equation being worked out — the patterns and counts and geometric shapes folding in on each other and expanding.

   A middle solo section is danced on film by Childs herself.

   On stage it was performed for the first time by another dancer, Caitlin Scranton, who didn’t quite achieve the solemnity of Childs as she repeated slow crosses up stage and then back down.

   The Childs style is a relaxed  upper body, with hands extended softly, the feet moving fast but never with highly technical steps. Today’s dancers look quite different from those of 30 years ago: more turned out, more muscular in appearance and in style.

   There’s a poignancy to watching the dancers of the past.

   Where are they now?

   And what about today’s dancers?

   Where will they be in 30 years?  p

Latest News

Fresh perspectives in Norfolk Library film series

Diego Ongaro

Photo submitted

Parisian filmmaker Diego Ongaro, who has been living in Norfolk for the past 20 years, has composed a collection of films for viewing based on his unique taste.

The series, titled “Visions of Europe,” began over the winter at the Norfolk Library with a focus on under-the-radar contemporary films with unique voices, highlighting the creative richness and vitality of the European film landscape.

Keep ReadingShow less
New ground to cover and plenty of groundcover

Young native pachysandra from Lindera Nursery shows a variety of color and delicate flowers.

Dee Salomon

It is still too early to sow seeds outside, except for peas, both the edible and floral kind. I have transplanted a few shrubs and a dogwood tree that was root pruned in the fall. I have also moved a few hellebores that seeded in the near woods back into their garden beds near the house; they seem not to mind the few frosty mornings we have recently had. In years past I would have been cleaning up the plant beds but I now know better and will wait at least six weeks more. I have instead found the most perfect time-consuming activity for early spring: teasing out Vinca minor, also known as periwinkle and myrtle, from the ground in places it was never meant to be.

Planting the stuff in the first place is my biggest ever garden regret. It was recommended to me as a groundcover that would hold together a hillside, bare after a removal of invasive plants save for a dozen or so trees. And here we are, twelve years later; there is vinca everywhere. It blankets the hillside and has crept over the top into the woods. It has made its way left and right. I am convinced that vinca is the plastic of the plant world. The stuff won’t die. (The name Vinca comes from the Latin ‘vincire’ which means ‘to bind or fetter.’) Last year I pulled a bunch and left it strewn on the roof of the root cellar for 6 months and the leaves were still green.

Keep ReadingShow less
Matza Lasagne by 'The Cook and the Rabbi'

Culinary craftsmanship intersects with spiritual insights in the wonderfully collaborative book, “The Cook and the Rabbi.” On April 14 at Oblong Books in Rhinebeck (6422 Montgomery Street), the cook, Susan Simon, and the rabbi, Zoe B. Zak, will lead a conversation about food, tradition, holidays, resilience and what to cook this Passover.

Passover, marked by the traditional seder meal, holds profound significance within Jewish culture and for many carries extra meaning this year at a time of great conflict. The word seder, meaning “order” in Hebrew, unfolds in a 15-step progression intertwining prayers, blessings, stories, and songs that narrate the ancient saga of the liberation of the Israelites from slavery. It’s a narrative that has endured for over two millennia, evolving with time yet retaining its essence, a theme echoed beautifully in “The Cook and the Rabbi.”

Keep ReadingShow less
Housy baseball drops 3-2 to Northwestern

Freshman pitcher Wyatt Bayer threw three strikeouts when HVRHS played Northwestern April 9.

Riley Klein

WINSTED — A back-and-forth baseball game between Housatonic Valley Regional High School and Northwestern Regional High School ended 3-2 in favor of Northwestern on Tuesday, April 9.

The Highlanders played a disciplined defensive game and kept errors to a minimum. Wyatt Bayer pitched a strong six innings for HVRHS, but the Mountaineers fell behind late and were unable to come back in the seventh.

Keep ReadingShow less