Painful, Yes, Mesmerizing Too

You might rather have staples fixed to your torso with a staple gun than endure the two hours of brutal realism that is “The Wrestler.�

   Actually, getting stapled is the least of the tortures that has-been professional wrestler Randy “The Ramâ€� Robinson subjects himself to in order to, as the “Gladiatorâ€� saying goes, win the crowd.

As portrayed by veteran actor Mickey Rourke, The Ram is in the final stages of self-destruction and decay. Much of the movie is shot from right behind Rourke’s head — his shoulder-length, highlighted blond hair usually pulled back in a short ponytail — or else in similarly tight quarters, with a grainy, hand-held camera in the verité style.

The soundtrack is likewise close-in, capturing every grunt of pain and rattling breath. Rourke is nearly unrecognizable: impossibly beefed up and fleshy, his face pocked and scarred, his day-to-day baubles a hearing aid and cheap reading glasses. He lives in a beat-up trailer until the trailer park manager locks him out for owing back rent, and then Robinson moves into his beat-up old van.

If this is inhabiting a role, it’s the extreme edition. Did Rourke film his own wrestling scenes, too? You bet he did. Never mind the Oscar he is nominated for. The man deserves a purple heart.

We’ve seen movies of dissolution, depravity and desolation before, of course. I confess that I don’t exactly get the point of such films. Mother of them all is “Raging Bull,� with which “The Wrestler� has a fair amount in common. It also has strong echoes of the less well known indie, “The Bad Lieutenant,� in which a policeman (Harvey Keitel) goes to seed in a sequence of nearly unwatchable scenes.

Yet you can’t easily take your eyes off these movies. In part it’s owing to curiosity, like rubbernecking an accident, and in part it’s on the strength of the performances. Rourke’s, while not exactly fun to watch, is mesmerizing. The versatile Marisa Tomei, as “Cassidy,� The Ram’s love interest and stripper-with-a-heart-of-gold, displays her usual acting chops and a buff body besides. And Evan Rachel Wood plays The Ram’s estranged daughter with admirable ferocity.

Most of the gore takes place in the first third of the movie. If you grew up in a certain generation, you probably wondered how “real� professional wrestling is, even if it’s not something you care to watch. “The Wrestler� reveals more trade secrets than you’ll ever want to know, but it also leaves you wondering about the level of violence. It ain’t pretty.

After a defining event derails The Ram’s late-career aspirations, “The Wrestler� takes a very sentimental turn, as he tries to figure out how to live in the real world and repair his relationships. On one hand, director Darren Aronofsky (“Pi�) and writer Robert Siegel reach too hard for the heartstrings and nearly sink the movie. An entirely too predictable and mushy ending seriously misfires.

On the other hand, the best moments in “The Wrestler� are the small, almost offhand observations of humanity and humor, a group of boys leaping playfully on The Ram as he emerges from his van, a shopping trip on which Cassidy accompanies him, episodes of the dull routine of his working at a deli counter leavened with some very funny bits. Small wonder: writer Siegel used to be editor of the mock newspaper “The Onion.�

Ultimately, “The Wrestler� attempts to mythologize a man who chooses physical pain over psychological pain. This hints at the movie’s deeper, perhaps shadier, motives, as does the final fight between The Ram and a wrestler called “The Ayatollah� who wields an Iranian flag.

Is “The Wrestler� destined to be one of those training videos shown to fighter pilots on the decks of our aircraft carriers?

“TheWrestler�is rated R for violence (extreme), sexuality/nudity (copious), language and some drug use.

It is playing at the Triplex in Great Barrington, MA, and is scheduled to open soon at the Moviehouse in Millerton, NY.

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