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Bobbie C. Palmer
Mar 08, 2024
LAKEVILLE — Bobbie C. Palmer, born in Lakeville on Jan. 13, 1948, passed away peacefully on March 4, 2024. He is survived by his loving wife, Marva J. Palmer, son Marc (Sandra) Palmer, daughter Erica (Fleming) Wilson, two grandchildren, Andrew Yost and Ciara Wilson, and two great grandchildren. He was predeceased by his parents Walter and Francis Palmer and four brothers; Henry Palmer, William Palmer, John Palmer and Walter Palmer Jr.
He leaves behind a legacy of love, kindness, and laughter that will be cherished by his family and those closest to him.
Bobbie was selfless and most known for his generosity and sense of humor. His spirit and comedic, joking banter would light up any room. He was a loving and caring soul who sacrificed to give so much for his family — the epitome of what an outstanding father, grandfather and husband is.
He was dedicated and served our country in the U.S. Air Force. He was smart and worked as an analyst at Travelers Insurance for almost 40 years. He also spent a lot of time giving back to help others — from volunteering, teaching adults to read and helping his neighbors.
Bobbie also loved to travel and had a passion for being outdoors — barbecuing, gardening, long walks or simply sitting outside taking in nature. One could also find Bobbie glued to the television watching a NY Giants game or NASCAR racing. He thoroughly enjoyed watching both.
If you knew Bobbie and wanted to honor his life —remember life is short. Tomorrow is not promised. If there is something you want to do or see, do it! Be kind and give back. If you have it to give… give it! Love hard, laugh often!
A funeral service will be held at Newkirk-Palmer Funeral Home, 118 Main St., Canaan, CT at 11 a.m. Friday, March 15. The interment ceremony afterward will be with family.
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Tom Wolfe
Film still from “Radical Wolfe” courtesy of Kino Lorber
If you’ve ever wondered how retrospective documentaries are made, with their dazzling compilation of still images and rare footage spliced between contemporary interviews, The Moviehouse in Millerton, New York, offered a behind-the-scenes peek into how “the sausage is made” with a screening of director Richard Dewey’s biographical film “Radical Wolfe” on Saturday, March 2.
Coinciding with the late Tom Wolfe’s birthday, “Radical Wolfe,” now available to view on Netflix, is the first feature-length documentary to explore the life and career of the enigmatic Southern satirist, city-dwelling sartorial icon and pioneer of New Journalism — a subjective, lyrical style of long-form nonfiction that made Wolfe a celebrity in the pages of Esquire and vaulted him to the top of the best-seller lists with his drug-culture chronicle “The Electric Kool-Aid Acid Test” and his first novel, “The Bonfire of The Vanities.”
The film is rife with local connections, featuring talking-head anecdotes by Wolfe’s former agent and Sharon resident Lynn Nesbit as well as Wolfe contemporary Gay Talese of Roxbury and Christopher Buckley, the son of the late Sharon resident William F. Buckley Jr., who interviewed Wolfe on PBS’ “Firing Line” in 1970.
Present at The Moviehouse was the film editor for “Radical Wolfe,” Brian Gersten, a Millerton resident who recently worked on “Enter The Slipstream,” documenting an American cycling team through the 2020 season of the Tour de France, and the film’s archival producer, Rich Remsberg of North Adams, Massachusetts, a two-time Emmy winner who recently produced “Street Gang: How We Got to Sesame Street” for HBO.
Remsberg admitted that in his archival search, there is a competitive sense of “trophy hunting” — the quest for a previously unseen piece of footage that will add an exclusive peek into the past of a film’s subject. “The trophy-hunting aspect of [archival producing] is the rarity of a clip,” he said at The Moviehouse. “I did a piece about George Lucas recently and found an interview with his high school art teacher. It was just mind-blowing. I found four interviews with Lucas before he became famous. But the director only used two minutes. And you can’t get hung up on, ‘But it’s rare!’ You have to consider how useful it is.”
Remsberg added: “One of my favorite sequences in this film is when Wolfe is being introduced onto all these talk shows, and we spliced ‘Ladies and gentlemen... Tom Wolfe, Tom Wolfe, Tom Wolfe, Tom Wolfe…’ And you see the rapid succession of him entering, shaking hands, doing his ‘hair thing’ three or four times, then crossing his legs three or four times. Beautiful rhythm to it, right? It’s really the musicality of filmmaking.”
“I think, as you could tell from how we structured the film, Tom Wolfe’s personal life was private. There wasn’t much there, to be perfectly honest. So the substance was all in the writing,” said Gersten on the documentary editing process. “If you open a book of his, it has so much style, so much is going on, and we did our best to replicate that in the editing style of the film. I think the quick cuts are effective at certain points. At other points, you want to let the story tell itself. When Tom Wolfe describes his interaction with [then-U.S. Sen. John F.] Kennedy, there’s no reason to stylize that. You want to hear Wolfe’s words.”
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Art on view this March
Mar 06, 2024
“Untitled” by Maureen Dougherty
New Risen
While there are area galleries that have closed for the season, waiting to emerge with programming when the spring truly springs up, there are still plenty of art exhibitions worth seeking out this March.
At Geary Contemporary in Millerton, founded by Jack Geary and Dolly Bross Geary, Will Hutnick’s “Satellite” is a collection of medium- and large-scale acrylic on canvas abstracts that introduce mixtures of wax pastel, sand and colored pencil to create topographical-like changes in texture. Silhouettes of leaves float across seismic vibration lines in the sand while a craterous moon emerges on the horizon, all like a desert planet seen through a glitching kaleidoscope. Hutnick, a resident of Sharon and director of artistic programming at The Wassaic Project in Amenia, New York, will discuss his work at Geary with New York Times art writer Laura van Straaten Saturday, March 9, at 5 p.m.
In Falls Village, the vacant bank building at 105 Main St., with its white masonry exterior and revolving glass door, has recently been adopted by David Noonan and digital abstract artist Millree Hughes for the duo’s self-described “roving gallery” New Risen. The second show curated by Noonan and Hughes, “Faraway, So Close” is on display through Saturday, March 23. In addition to one of Hughes' own electrically lit disco "Matrix" landscapes, the group show features a pair of bedroom-eyed oil portraits by Maureen Dougherty, who recently exhibited at Cheim & Read before the 26-year-old New York City gallery closed its doors in December 2023, as well as an enigmatic and sensuously pouty graphite drawing of an astronaut by Judith Eisler, who lives in Warren and has exhibited work at Casey Kaplan in New York, with praise from The New Yorker’s Hilton Als.
“Spooky Action #2” by Will HutnickAlexander Wilburn
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